It’s that time of year that makes you crazy. Can you make Sturgis, are you too busy, do you have that much vacation time… All legit questions. Between Iron Trader News and the Bikernet Cantina, we will fill the pages with Sturgis pics so you don’t have to miss anything. Enjoy the images below and look for many more to come.
New Sturgis Buffalo Chip exhibit curated by Michael Lichter to be entitled Skin and Bones Photos by Jack McIntyre, Iron Trader News
Buffalo Chip, SD (June 2, 2016) – Custom motorcycle craftsmen and tattoo artists study, research and work countless hours over many years, honing the skills required to become experts at their craft. The Sturgis Buffalo Chip® offers an exclusive look at some of the worlds’ most celebrated builders’ remarkable motorcycle creations as well as a handful of the motorcycling world’s most beloved artists and photographers in its “Motorcycles as Art” display. The 2016 exhibit, curated by eminent photographer Michael Lichter, is titled with the intriguing theme: “Skin and Bones – Tattoo Inspired Motorcycles and Art.” The exhibit is free to the public and will be open from Saturday, Aug. 6 through Friday, Aug. 12 in the Buffalo Chip’s Russ Brown Events Center.
Over 30 masters of the motorcycle industry have accepted the challenge to build a bike befitting the theme for the exhibit. Each of these rolling metal sculptures will have theater lights focused on them as they are displayed atop elevated pedestals to better give guests an open view from every angle.
“These builders reach deep, spending the time, exerting the effort and wielding the skills required to create a motorcycle masterpiece for this show,” said exhibit curator Michael Lichter. “The bikes for this exhibit not only exemplify the theme, but also reflect the builder’s own personality and experiences, much like a tattoo.”
In addition to the magnificent display of motorcycles, the richly symbolic art of the late, well-known tattoo artist and oil painter Richie Pan (short for Panarra) will hang in the gallery alongside the works of eight additional mixed-media artists. Pan brought the oils of his paintings to rest in depictions of machines and people that evoke an aura of ink embedded in flesh. His love of everything motorcycle is evident not only in the subject matter and characteristic symbolism displayed in most of his pieces but also in how they are incorporated into occasionally irreverent depictions and curious design.
“Michael Lichter has again put together an eye opening exhibit that exposes the core roots of the motorcycling culture that only the world’s leading motorcycle photographer could reveal,” said Buffalo Chip President Rod Woodruff. “Michael’s expertise and knowledge, gained from being an integral part of biker culture over the past 35 years, is inspiring and surprising the motorcycling world with another “Motorcycles as Art” exhibit that not only offers an exclusive perspective into the world of motorcycling, but highlights its stunning character. The chance to see this year’s exhibit is an opportunity no biker should miss.”
The custom motorcycle artists scheduled to present their “Skin and Bones” masterpieces at the 2016 “Motorcycles As Art” exhibit are:
Aki Sakamoto – Hog Killers, California
Andrea Radaelli – Radikal Chopper Milano, Italy
Andy Carter – Pangea Speed, Utah
Bill Dodge – Blings Cycles, Florida
Bobby Seeger Jr. – Indian Larry Legacy, New York
Bryan Fuller – Fuller Moto, Georgia
Chris Callen – Cycle Source, Pennsylvania
Chris Eder – Misfit Industries, Texas
Craig Jackman – American Electric Tattoo, California
Dalton Walker – Split Image Kustoms, California
Dan Bacon Carr – DC Choppers, Texas
Eddie Trotta – Thunder Cycle, Florida
Eric Allard – FNA Custom Cycles, Florida
George Stinsman – Chaos Cycle, New York
Jason Grimes – Northeast Chop Shop, New York
Jeff Cochran – Speedking Racing, Indiana
Ola Stenegard, Ronny and Benny Norén, Sebastian Gutsch – BMW Motorrad, Munich, Germany
Pat Patterson – Led Sled, Ohio
Paul Cox – Paul Cox Industries, New York
Paul Yaffe – Paul Yaffe Originals, Arizona
Richie Pan Panarra – Darkstar Tattoos, New Jersey
Roadside Marty Davis – Flat Broke Chops, Florida
Roland Sands – Roland Sands Design, California
Ryan Grossman – Vintage Dreams, California
Shaun Guardado – Suicide Machine Company, California
Steve Peffer – Steel City Choppers, Pennsylvania
Teach Kevin Baas – Baas Metal Craft, Minnesota
Trent Schara – Atomic Customs, New Mexico
Trevelen Rabaual – Superco Customs, California
Will Ramsey – Faith Forgotten Choppers, Indiana
Yaniv Neevo Evan – Powerplant Choppers, California
Yuichi Yoshizawa – Custom Works Zon, Japan
More information can be found at: www.MotorcyclesAsArt.com
About Michael Lichter
Michael Lichter began photographing custom bikes and the biker-lifestyle in the 1970s. Working with Easyriders Magazine since 1979, he has produced over 800 stories for them. Michael is also a regular contributor to 16 other publications around the world, has 11 coffee table books to his credit and exhibits his photographic art in galleries and museums in the USA and abroad. As a curator, Michael first started creating themed exhibitions with custom motorcycles and art in 2001 at the Journey Museum in Rapid City. In 2009, the annual exhibition was moved to the purpose-built 7,000 square foot gallery at the Sturgis Buffalo Chip where it was given the name “Motorcycles as Art” and continues to this day. Michael has operated out of the same commercial photography studio in beautiful Boulder, Colorado for more than 35-years. Visit www.facebook.com/lichterphoto, Instagram (whistlingmike) and www.lichterphoto.com to see his images. Contact Michael at firstname.lastname@example.org.
About Motorcycles as Art
Every year the Sturgis Buffalo Chip’s indoor Motorcycles as Art exhibition presents a changing conceptual theme that brings together the most innovative collection of groundbreaking custom bikes from today’s premier builders with artwork from the most famed moto-artists. The Sturgis Buffalo Chip and curator, famed photographer Michael Lichter, present an environment that must be seen to appreciate. Free to the public and open for just seven days each year, all are invited to take their time and walk through history in the making that is the Motorcycles as Art exhibit.
About The Sturgis Buffalo Chip
The Sturgis Buffalo Chip® celebrates 35 years as the Largest Music Festival in Motorcycling™ in 2016. It is the world’s first and leading entertainment destination for the motorcycle enthusiast. The venue’s high-profile, nine-day festival, known as The Best Party Anywhere®, remains one of the world’s most televised and longest running independent music festivals. Located three miles east of Sturgis, SD on 600 creek-fed acres, it offers eight stages of entertainment, a swimming hole, bars, mouth-watering food, showers, cabins, RVs, camping and more to visitors traveling from all corners of the world. The Chip’s concerts are free with camping. More details are available at www.BuffaloChip.com.
Editor’s Note: The Donnie Smith Show brings out the best bikes – and cars – in the Midwest each spring and it reminds us that the genesis of custom motorcycling runs back to a few early pioneers. Guys like Donnie Smith, Dave Perewitz and Arlen Ness not only have talent and creativity but, equally important, they’ve had the persistence to stick with motorcycling as a business through the decades.
Here’s a look at the early years and the lifelong friendship between three of custom motorcycling’s biggest influencers – then and still.
Images courtesy of Jody Perewitz, Arlen Ness, Donnie Smith
Over the decades, custom motorcycling has seen good times and bad. Motorcycle builders have been on the top of the heap and relegated to the back alley. But for the faithful, those ingrained wrenches and riders who long ago claimed biking as their life’s work, custom motorcycles are as sublime and necessary as ever.
Among those few stalwarts who succeeded in the game is Donnie Smith, a man known for his custom creations not only in the Midwest but around the world. He’ll be the first to tell you that his early riding experiences didn’t exactly predict a happy life on two wheels; no, motorcycles were not his first choice. It was Uncle Elwood that got Donnie involved in bikes.
One day in the early ‘70s Elwood brought his Sportster into the drag race shop Donnie ran with his brother Happy and buddy Bob Fetrow; he wanted them to rake the bike’s neck. “We were three farm kids; we thought rake was something you did with hay,” said Donnie. Though they also had day jobs and were busy working on the Barracuda Funny Car they planned to race, they did their best for Elwood.
Soon Elwood’s friends took notice and the shop—Smith Brothers and Fetrow—started getting more bike work. A while later, when someone wanted a Springer and there were none to be found, the guys gave that a try, too. Then girders, and tanks, and fenders and so it went. After a year or so their bookkeeper said, “You know, if you got rid of that race car you could make a living out of this motorcycle thing.” So they did. Thank God for Uncle Elwood!
If you had a motorcycle business then, the way to get noticed—the only way—was to have your bikes featured in magazines. Donnie explained how SB&F first got hooked up: “The first guy that ever shot our bikes was Randy Smith from CCE. He was doing freelance for magazines in 1974. We met him in Bowling Green and he shot the bikes we were riding there. We were on cloud nine.”
Donnie also credits Bob Clark at Street Chopper for bringing attention to SB&F’s work. “He kept us out in front of people and got us to be household names.”
The next spring SB&F loaded some bikes in the van and headed to Detroit for a show called “It’s Called Detroit.” That was the first time Donnie saw Arlen Ness, though they didn’t meet till later at Tom Rudd’s Drag Specialties show in Minneapolis. But Donnie and Arlen both recalled meeting east coast painter Dave Perewitz in Detroit—it wouldn’t be the last time, either.
Arlen said the Detroit show was a real eye opener. He’d had bikes featured in magazines for a couple of years by then, thanks to Larry Kumferman, editor of Custom Bike. And though it was the first time he actually got paid to attend a show (“It was a big deal. I got a plane ticket and a hundred bucks!”) he wasn’t prepared for the reception he received. “There were quite a few people that wanted to meet me. I was shocked and surprised about that!” said Arlen.
Just a few years before then, Arlen was painting bikes and had designed a few parts. In the early ‘70s aftermarket motorcycle parts were in demand and tough to get from the few companies making them—AEE, CJ Custom Cycle Parts, Santee, Drag Specialties.
“You couldn’t get ramhorn bars,” said Arlen. “So I went to a tubing bender, then I welded it and took it to the chrome shop. That was my first product.” Next was a rear fender with built-in taillight. “I made it in steel then made a fiberglass mold and we started making rear fenders.”
Feature articles in magazines got the parts noticed. “People would call after they’d seen the magazine and want to buy the part. We didn’t know it then but we were building our brand,” he said. How did they spread the word? “Our first catalog was one sheet of paper that Bev typed up. It didn’t even have a picture!”
As Arlen’s product count increased he considered finding a distributor and went to see Gary Bang, who gave him the best advice of his young career. “He told me, don’t show these products to other people, they’ll copy you. First get your pricing structure right.” So Arlen educated himself on manufacturing and applied what he learned to continually refine the process.
Arlen also reached out to racer and builder Jim Davis. “I took a stock Sporty frame to his shop. We laid it on its side and I drew around it in chalk, extending it in the front and back and so on. He actually made the first frame for us working off the chalk marks on the cement.”
Seeking out experts and learning from the best paid off. “I think that was one of my secrets,” said Arlen. “I always aligned myself with quality people, smart people. I paid more than anyone else but I always had good, safe products. That had a lot to do with our success.”
It took time but he ultimately developed a network that made it possible to offer a selection of cool, clever components. “The more neat stuff you made the more people wanted to do things for you,” he said.
Going to the major events like Daytona and Sturgis was important then and it became common for Donnie, Arlen and Dave to hang out together. You didn’t have a booth in those days, you just brought your bike, rode it around and showed people. In 1977 they were at the Rat’s Hole Show in Daytona. “Dave had that thing locked down, and it was fun” said Arlen. At the time Dave had never been to Sturgis so Arlen talked him into going. “I’d already been to Sturgis several times and had met Donnie there before. So we all hooked up in Sturgis that year.”
Compared to Arlen and Donnie, Dave was the youngster, the go-getter from the east coast. And it took grit and ingenuity to get noticed—the custom bike business out east was not as refined as in California. “We’d run to the book store every month to get a magazine because that was the only source you had,” said Dave. “It was pretty much trial and error.”
Looking at a new issue of Custom Bike sometime in 1974, Dave got the idea that the bikes he was building and painting were magazine quality, so he picked up the phone, got editor Larry Kumferman on the line and told him so. Two weeks later, Kumferman flew to Massachusetts to photograph Dave’s bikes, starting a run of publicity that continues still.
Early the next year, Dave learned about the “It’s Called Detroit” show, as he explained: “We threw bikes in a van and drove thru a snowstorm in March to Detroit. When we got there Larry was shooting the show and he introduced me to Arlen.” Dave met Donnie there, too. By the end of the weekend Dave had invited Arlen to Laconia that summer and Arlen accepted. “He shipped his bike and flew out, and we spent the week in Laconia. After that he said, listen, I know these guys in Detroit, why don’t we go to Detroit? So we threw the bikes in my van and went to Detroit. We spent a week riding there with Yosemite Sam, Carlini, Finch and slept on the floor at Sam’s house. Then Arlen invited me and Donnie out for the Oakland Roadster show and we’ve all been best friends ever since.”
Dave recalls that first trip to Sturgis well. Arlen brought him a bike to ride, a Sportster digger, of course. “That’s what we were all riding back then,” said Dave. “We stayed at City Park and it was pretty crazy. We were up all night while guys were drag racing in the street and doing burnouts.” He didn’t need to be talked into going back.
Even among like-minded people there’s no predicting the future, and this would be a good story if friendship had been the only result of a couple of chance meetings over 40 years ago. But lucky for riders everywhere, the rapport between Smith, Ness and Perewitz not only established custom biking in America but their passion for the subject continues to sustain it. That gives the story way more horsepower.
Custom Styling Cues circa 1975
Some say everything’s derivative. Read on and you might be convinced that there’s still room in the world for creative genius.
Arlen Ness • West Coast
“I always liked drag bikes, the racing look. Long and low and performance looking. Some people called them diggers. Then I started making those fancy diamond gas tanks and coffin tanks, that kind of stuff. Then flat bottom Sportster tanks for the Sportster diggers. In the early days we did quite a bit of stuff that nobody had ever done.”
Donnie Smith • Midwest
“We built a lot of bikes that had 16-over front ends, that seemed to be a thing for a couple of years. We would extend the frame but we would always slide the gas tank back, right to the seat. Other guys like Arlen used to sit their tanks out in the middle of the tube. We’d put little wings or fins on the front of the tank to blend it into the front of the fork. That was our look for a long time.
“We were a little more practical, we needed more gas to ride further. So I designed a tank that held close to 3 gallons. It had a long prismatic look that was big in those days.”
Dave Perewitz • East Coast
“Arlen had started the whole digger look of styling, the Ness style, and I was pretty much the first guy who started doing that on the east coast. My stuff was rigid frame, Sportster tank mounted high, 6-over front end with a raked frame. And I paid attention to the paint, too. When I first started painting there were a couple guys around who did candy paint on cars but that was the extent of custom paint on the east coast!”
Josh Owens is one the Discovery Channel’s Moonshiners and he’s garnered quite a following in the biker world. Bikers and moonshine? Yeah, you could say there’s a connection.
But Josh says his dog, Cutie Pie, is the real star of the show—and the real brains of the operation. But Cutie Pie wasn’t with Josh when we caught up with him at the Buffalo Chip during the Sturgis 75th. So without the distraction of the star, we had time to quiz Josh about the other important thing in his life: moonshine. Want to know the secret of enjoying ‘shine? Follow Josh’s advice.
SRD: What’s so good about moonshine?
JO: Well, it’s our heritage for one thing. But really, what’s bad about moonshine? You know what’s bad about moonshine? BAD moonshine!
SRD: How do you tell good moonshine from bad moonshine?
JO: All you gotta do is taste it.
SRD: Is there a right way to drink moonshine?
JO: The thing about drinking liquor that most people don’t get is that good whiskey is not about doin’ shots. It’s not about getting filled up on it. It’s about just wettin’ your pallet. I don’t care if it’s 120 or 130 proof, the stronger it is, the more I like it. When it just comes off the worm (the condenser) it’s got a lot of flavor in it.
SRD: So you shouldn’t drink a big swig of moonshine?
JO: When it’s really hot in your mouth it’s cause you’re takin’ a big drink. If you were just wettin your pallet and letting it warm up in your mouth, you’d start realizing there’s all these flavors in it you never tasted before.
You can hang with people who are drinkin’ beer all day long if you just wet your pallet. That’s how you maintain. Just nip it, nip it, nip it. If you take a big ol’ snort it’s gonna knock you right down on the ground.
There you have it folks; more of the news you need to know, compliments of the Sturgis Rider Daily!